Hollywood, Ending by John Green

For rising talents Kai Laramie and Juniper Castillo, being cast in the buzzy biopic Andy Warhol Never Gets Old is the opportunity they’ve both been waiting for. They’re on the verge of breaking out, and maybe even falling in love. Soon, the movie is blowing up, and so are their lives—in exciting, but also terrifying, ways.

John Green artfully blends a behind-the-scenes Hollywood love story with an unflinching examination of the insatiable attention economy. Told through dual points of view, the novel brilliantly juxtaposes the on-screen study of Warhol’s life at the dawn of celebrity culture with the intimate struggles of two young people figuring out who they are, both together and alone.

An Unexpected Life: A Memoir by Gloria Steinem

Before she became a feminist leader, Gloria Steinem was a curious child: going on road trips with her itinerant father, caring for her mother, and devouring every book she could find. In An Unexpected Life, Steinem reflects on the unlikely experiences and pivotal moments—from a childhood rat bite that opened her eyes to the dangers of poverty to the 1970 Women’s March honoring the right to vote—that shaped the visionary woman she would become.

She shares her years living in India, learning from the nonviolent movement there, and her travels around the world advocating for women’s rights. Along the way, she honors the people who influenced her most, including trailblazers, writers, and thinkers who expanded her understanding of power, community, justice, and solidarity.

Moving between past and present, Steinem examines the progress and setbacks of six decades of activism. As she reflects on the movements she helped build and the victories won for women’s and human rights, she also looks ahead, urging new generations to imagine bolder, more inclusive paths forward.

The Strangers by Naomi Alderman

A few months after her mother dies, the novelist Naomi Alderman sets up a wildlife camera in the back garden of her parents’ home. It captures the first image of a strange new animal. Low to the ground, about the size of a badger, flat face, long, trunk-like nose. Suddenly these “mimmoths” are as common as foxes or dogs. And no one knows where they’ve come from.

As Alderman negotiates the territory of grief―a place with its own logic and rhythms―the mimmoths spread. From the UK east and west, to the United States, to Russia, to India. They seem harmless, but oddly intelligent. They cannot be captured, they will not take food from humans, they have their own purposes.

Alderman cannot shake the feeling that she has a particular connection to the creatures. Or is she just succumbing to ‘mimmoth psychosis’? As the impact of the mimmoths increases, she is pulled into the cross currents of conspiracy theories and global power struggles. Have her deeply personal forms of mourning lent recent events a surreal air, or is our reality changing drastically and irrevocably?

Crone by Keith Rosson

Eli Lamp is a broken man. An ex-detective, ex-addict, and long-grieving father whose daughter, Hannah, disappeared a decade before, Eli decimated his old life investigating her abduction and is now indebted to the Crooked Wheel, a local drug gang, as an enforcer. He lives in a rundown trailer at the edge of the woods, where he keeps Hannah’s room in pristine condition and tries to make it through one day at a time.

But when the son of the Crooked Wheel’s boss is found viciously murdered in a crime scene that doesn’t seem to add up, Eli receives a new order: Find out who the killer is and your debt to the Crooked Wheel is clear forever. You’re free. This pursuit brings him into the orbit of Avery Bryant, Hannah’s best friend and the last person to see her before she went missing. Soon, Eli and Avery are entwined in a hunt for answers that spans decades, stretches the realm of possibility, and brings churning to the surface a conspiracy linking not only these current tragedies but the buried sorrows of Eli’s past.

And though none of them dare say the word witch, at least not out loud, something lurks in the woods, bent-backed and black-eyed, clawed and vengeful, looming ever closer.

Actually, Nevermind: Essays by Taylor Tomlinson

As she approaches thirty-four—the same age her mother, Angela, was at her death—Tomlinson grapples with fear and ambition, identity and doubt, and all the ways her mind has changed since the day her mom died.

In these sharply observed, uproariously funny, and moving original essays, Tomlinson leads readers through a tour of her brain and her shifting opinions about everything from love and relationships, mental health and therapy, religion and sex, food and body image, being the eldest daughter and the only woman in late-night TV, to ghosts, morning people, and more.

With the same unflinching honesty that fuels her beloved stand-up specials, she captures the dizzying contradictions of adulthood in the modern world: wanting independence while craving reassurance, chasing self-improvement while resisting change, and finally learning that certainty can be overrated. “True wisdom,” writes Tomlinson, “is accepting how little you know, and real maturity is becoming as flexible as possible. (Emotionally, not physically. Real maturity also means needing to stretch way more).”

It’s Not What You Think by Clare Mackintosh

He has a secret. She knows he’s lying…

Nadeeka is certain Jamie is having an affair. She knows the tell-tale signs. She’s been here before.

When Jamie claims to be at work late, she knows he’s lying. He’s with another woman, and she’s determined to catch him in the act.

But when Nadeeka arrives home to confront him, Jamie can’t explain himself. The house has become a crime scene…Jamie is dead.

Mazywood by Tananarive Due

When Johnny—a filmmaker and grandson of the famous Black actress Mazelle Washington—brings his family to Mazywood, the secluded California mountain lodge left behind by his grandmother, he expects a quiet retreat. Instead, he uncovers a legacy of rage, secrets, and terror that has haunted his family for generations.

Set primarily in the present day, with haunting flashbacks to Hollywood’s Golden Age, Mazywood explores three generations while following Johnny as he pieces together the true story of his grandmother. As a young Black actress whose career spanned from the 1920s to the 1940s, Mazelle brushed shoulders with giants like Lena Horne, Clark Gable, and Hattie McDaniel. But beneath her public appearance, she carried a secret she had kept and nurtured since she was a child, when a dark wish came true and changed the course of her life forever.

Now, fifty years after Mazelle’s death, Johnny finds himself confronting the truth she buried—and the consequences she left behind. For a monster lurks outside Mazywood, hidden for generations, and Johnny brought his family to its hunting grounds.

Murder at the Grand Alpine Hotel: The New Miss Marple Mystery by Lucy Foley

High in the Swiss Alps, accessible only by a single, winding railway, stands the luxurious Grand Alpine Hotel. With glorious mountain views and exclusive access to powdery slopes, it draws guests from far and wide.

The notorious actress. The high-flying politician. The society wife. The reckless friend. The shrewd doctor.

But not everyone is here for a winter holiday. Beneath the champagne and furs, dark histories simmer; old grudges emerge like cracks in the ice.

And someone is watching from the shadows. A polite, unassuming woman with an extraordinary mind: Miss Marple.

When a body is found and a blizzard cuts off all escape, only Miss Marple can connect the clues before the killer strikes again. Because it isn’t a question of who has a motive, but who’s next…

Rock*: A Mainstream Alternative History of Alternative Mainstream Music by Chuck Klosterman

The Velvet Underground & Nico was released in the spring of 1967. For decades, the cliche has been that it initially only sold 10,000 copies, though everyone who bought it supposedly started a band. It is the definition of a record whose influence outstrips its mass popularity. But what if the opposite had transpired? What if instead of selling 10,000 copies, it had sold…10 million copies? What if it had sold 100 million copies? What would have happened if the Velvet Underground had inexplicably become the biggest group in the history of popular music, and everything about the rest of the 20th century was merely a footnote to that phenomenon?

Whatever answer you imagine is an infinitesimal splinter, at least when compared to  Rock*. Chuck Klosterman has generated a fictitious universe where almost everything is different, except for the songs. The songs remain the same―the difference is how they are heard and what they now mean. Lou Reed is a messiah, reversing the monoculture and dictating the outcome of presidential elections. The Beatles disappear, though they never break up. The Rolling Stones collapse while Led Zeppelin goes bankrupt. Punk rock fills stadiums, undermined only by insouciant radicals like Boston and Van Halen. Disco is destroyed. Hip-hop becomes country. The 1980s are defined by disposable pop icons (like G.G. Allin) and Christian revivalists (like Madonna). Lenny Kravitz lets love rule, Oasis collides with a wonderwall, and the terrorist attacks of 9/11 are somehow blamed on the Strokes.